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Bitches Brew

Bitches Brew
MSRP: $15.98
Your Price: $13.99
Savings: $ 1.99 ( 12% )
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Manufacturer: Sony
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Additional Bitches Brew Information

No Description Available
No Track Information Available
Media Type: CD
Artist: DAVIS,MILES
Title: BITCHES BREW
Street Release Date: 06/08/1999


 

What Customers Say About Bitches Brew:

I'm ticked because I wanted to buy it as a present, but the extra track is an artistic disaster. Even then, you probably won't listen to CD's 3 and 4 more than once.

Although largely improvised and then spliced together by Miles and Teo Macero, the finished product was finely crafted, because "Miles knew what he wanted once he'd heard it", as John McLaughlin said. One advantage of the ensemble playing, is that even when one instrument takes the lead, everyone else fits in behind - it's not one person going off in his own direction for 5 minutes.

The original album was great music in any genre. If you want to listen to the outakes, buy the Complete Bitches Brew Sessions.

This was an exceptional double LP on initial release, and the music is still a work of genius.So why one star. The first 6 tracks were a balanced whole.

Sony have trashed it with the addition of Felo. How soon can we go back to the 24-bit version without someone messing with perfection.

If paint splattered randomly on a canvas is art, then sure, this album is art. All the other negative reviews are right. But be forewarned; most of this album lacks any discernible beat or key. This album is *literally* a collection of random noise, and not much more. Whether not it's "music" or "art" depend completely on your definitions of music and art.If the noise a busy city makes is music, then this album is music. You will not be able to tap your foot to it, and when each song is over, you're not going to know whether or not it ended on the tonic.I don't personally consider this album a work of art, or a collection of music. Sure, the timbre of miles' trumpet or the keys can be pleasing to the ear just for their own sake; but there is no musical organization in the traditional sense to be found anywhere on this album, and like the reviewer above me said, listening to this album is more of an endurance test than an enjoyable experience.

I didn't like where Bitches Brew took me, initially. It is also profoundly flawed, a gigantic torso of burstingly noisy music that absolutely refuses to resolve itself under any recognized guise.'" (Quote from Wiki article "Bitches Brew").I've listened to this CD off and on (mostly off) for more than a decade. Some have lauded it while at the same time criticizing it, "The Penguin Guide to Jazz gave Bitches Brew a four-star rating (out of four stars) describing the recording as `one of the most remarkable creative statements of the last half-century, in any artistic form. If you are new to jazz and looking for some comforting sounds and basic jazz rhythm, don't start here. This last time, I put my iPod in its player (mStation) and really couldn't tell, all that much, what it was that bothered me. I'm not sure what that says about me or the music, but it is what it is.If you are a jazz aficionado, surely you have this work of art.

That is, easy, continuous rhythms. I like my jazz "Kind of Blue" and only that way, really. Bitches Brew is discordant and discontinuous. "One critic writes that `Davis drew a line in the sand that some jazz fans have never crossed, or even forgiven Davis for drawing.' Bob Rusch recalls, `this to me was not great Black music, but I cynically saw it as part and parcel of the commercial crap that was beginning to choke and bastardize the catalogs of such dependable companies as Blue Note and Prestige. Bitches BrewMiles DavisReleased in 1970, Bitches Brew is a controversial album. A year later I picked it back up and listened through the 2nd disc in its entirety, skipping the 1st one. It was only years later that I was able to get through both discs and this at some loss of pleasure.

I heard what I didn't like originally in disc 1, but I enjoyed it more. Maybe it's because the other times, I was ready to let my senses be transported by the music. It still doesn't make a lot of sense to me, but I can enjoy it all the way through now. It is just starting to be easy on these ears. This last time (1/15/10) I was in my office working.

I hear it 'better' today because there is now so much music that is worse.'" (Quote from Wiki article, "Britches Brew").Miles introduced the Jazz world to what has come to be called Jazz Rock. When I first listened, I put it away not making it through the 1st disc. Maybe for me Bitches Brew is good background music. I recommend this for anyone who loves jazz but simply hasn't added it, yet, to their collection.

Man I love this song: "Spanish Key"I first heard this song in the movie Collateral (Tom Cruise and Jamie Foxx), where Vincent takes Max to a jazz club in Los Angeles.This song is genius, the beat and passing tones are crazy. A true piece to the art of improvisation.this is on the spot, in the moment, off impulse, straight up hardcore jazz. Get the album and listen to it. Expand your horizons.

However, if you are a pretentious fool who likes to pretend to "get it" or an individual intrigued by random abstract noise to the beat of an overly monotonous percussion then this is also for you. Even saying that this "music" reflects the mental state of a drunk is a stretch, drunkenness still maintains a better sense of consciousness and purpose. If you want to be annoyed by incoherent instrumental notes that never amount to absolutely anything, this is for you. Here rather are various instrumental recordings that indeed deserve a look. Finding the fortitude needed to endure this tedious absurdity in its entirety is no easy task and one sure to provoke a headache and anger; because if this album achieves anything, it is being incessantly annoying by having no emotion, energy, melody, or anything that constitutes any musical value. At the end, this is nothing but trash recorded with good audio equipment, over-rated pretentious trash that is; and the claim of many that this album has elements of rock, funk, and soul is more absurd than the album itself. Dave Brubeck - Time Out, Ruben Gonzalez - Introducing., Cachaito, Herb Alpert - South of the Border, The Ventures, Ry Cooder & Manuel Galban, Beastie Boys - Mix up (you'll be surprised), Augustus Pablo - East of the River Nile, Jan Hammer - Escape From Television, etc.

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